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The Creation of Wrath Suvane
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Date:2012-05-31 13:14
Subject:Book Discussion!!
Security:Public

The last of the May DAW Books book discussions is up at the blog ([info]dawbooks)! Stop on by and check out Margaret Weis and Robert Krammes' first book in the Dragon Brigade series, Shadow Raiders and leave a comment if you've already read it!



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Date:2012-05-30 09:42
Subject:Guest Post: "You Put Science-Fiction In My Fantasy!" by Myke Cole
Security:Public

Myke Cole is another author represented by my agent Joshua Bilmes. I met him first a couple of cons ago, just before his debut novel Shadow Ops: Control Point hit the shelves. I invited him to guest post and he agreed! So, first, an author bio and the cover of Shadow Ops: Control Point, followed by him talking a little about mixing SF with Fantasy and the genres and subgenres out there. So welcome Myke Cole and feel free to ask questions in the comments!

Author Bio: As a secu­rity con­tractor, gov­ern­ment civilian and mil­i­tary officer, Myke Cole’s career has run the gamut from Coun­tert­er­rorism to Cyber War­fare to Fed­eral Law Enforce­ment. He’s done three tours in Iraq and was recalled to serve during the Deep­water Horizon oil spill. All that con­flict can wear a guy out. Thank good­ness for fan­tasy novels, comic books, late night games of Dun­geons and Dragons and lots of angst fueled writing.

Book Description: Army Officer. Fugi­tive. Sorcerer.

Across the country and in every nation, people are waking up with mag­ical tal­ents. Untrained and pan­icked, they summon storms, raise the dead, and set every­thing they touch ablaze.

Army officer Oscar Britton sees the worst of it. A lieu­tenant attached to the military’s Supernat­ural Oper­a­tions Corps, his mis­sion is to bring order to a world gone mad. Then he abruptly man­i­fests a rare and pro­hib­ited mag­ical power, trans­forming him overnight from government agent to public enemy number one.

The SOC knows how to handle this kind of sit­u­a­tion: hunt him down-–and take him out. Driven into an under­ground shadow world, Britton is about to learn that magic has changed all the rules he’s ever known, and that his life isn’t the only thing he’s fighting for.





You Put Science-Fiction in my Fantasy!

Myke Cole

I’ve done at least two posts in my career trying to sketch out the boundaries of what constitutes “Military Science Fiction” or “Military Fantasy.” I hem and haw and sweat and curse, and in the end am always forced to come to the conclusion that the real thing those sub-genres are useful for (and, frankly, the real thing that all sub-genres are useful for) is to help sales reps pitch books to buyers, help bookselling websites develop recommendation algorithms, and help bookstore staff know where to shelve the damn things.

But surely the bigger categories of SCIENCE FICTION and FANTASY are important, right? I mean, they’re GENRES. There’s nothing SUB about them. If anything, they’re SUPER genres, rescuing defenseless speculative fiction manuscripts from the clutches of wicked (and snooty) literary villains.

And they have hard parameters. Both science fiction and fantasy are types of speculative fiction. The difference is in what they speculate about. Science fiction speculates about technology (the possible: think spaceships, robots, lasers, cold-fusion). Fantasy speculates about magic (the impossible: think dragons, vampires, magic spells). That’s clear, right?

Well, it was, I guess.

Enter “Urban Fantasy,” a sub-genre that most folks take to mean literary porn written about vampires and werewolves (a la Stephanie Meyer’s Twilight books). The covers themselves have become a trope: A fetching woman suggestively posed, always with a gun or a sword in one hand, magic crackling in the other, always with a tramp stamp rising just above the belt-line.

But calling urban fantasy “Vampire Porn” (and I’m guilty of this myself) is to do it an enormous disservice. Much of the sub-genre is excellent, with an audience response that bears that out (Charlaine Harris’ Sookie Stackhouse novels; Jim Butcher’s Dresden Files). And much of it contains absolutely no vampires at all, sparkly, or otherwise. This is because, at its heart, urban fantasy is trying to do something incredibly simple: Take the magic we know from classic fantasy tales from the likes of J.R.R. Tolkien, Terry Brooks or Fred Saberhagen, (which we’re used to seeing in a medieval setting) and layer it over the complications and idiosyncrasies of the modern world. How does a private detective pursue an evil wizard? What’s it like to fall in love with a vampire?

These are interesting questions, the kind of cool what-ifs that genre fans have a hunger for.

I know I do. That’s why I wrote the SHADOW OPS series. The what-if there is: How would the modern military deal with magic? It was fun to explore, and it still is (I’m writing the 3rd installment in the series as we speak). I hope readers agree.

But people like labels. A lot of folks see a guy with a gun on the cover and jump right to calling it military science fiction. Seeing how the whole premise of the series is a unit of military sorcerers, that’s false on its face.

Fine, military fantasy then. But that’s not quite right either, is it?

Because SHADOW OPS takes place in the future. Technology has evolved too, partly to keep pace with the arcane developments blossoming around it. Helicopters have silent running modes that muffle their rotors. Infantry body armor is kitted out with rubber insulation and grounding wires to protect against lightning bolts.

And when you consider the fact that science fiction is social as well, you realize that the entire modern social order has changed to keep pace with what magic has wrought in the world. Science fiction doesn’t always have to deal with massive leaps to huge spaceships or teleportation. A couple of the more recent, notable works in the genre are based on the effects of genetic engineering and global warming. It can be subtle.

I like to think that SHADOW OPS does the same thing as well. Who knows? That’s for you to decide. Urban fantasy uses magic, to be sure, but because it takes place in a progressing modern world, the evolution of technology begins to push the genre towards the middle of the Venn diagram. China Mieveille’s Embassytown is an alien first contact story utterly pregnant with magic. Heck, anybody seen Star Wars lately? (The 3 most recent films don’t count) Those are just a couple of examples.

I can’t tell you with certitude that SHADOW OPS is science fiction or fantasy, but I will say this: When Ace sent me the cover image for the book, I insisted on seeing the spine. I think that all authors should do this. The spine is the part of the book that most folks will see when they’re browsing shelves at stores (the few that remain), and you should know what it looks like. But I also wanted to see how Ace categorized it for store placement (and to entice readers). Would they market it as a fantasy novel? A military thriller?

To my great delight, the spine read: ACE: FANTASY/SCIENCE FICTION.

That made me smile.

Because, honestly? I’m not sure we need the distinction anymore.

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Date:2012-05-30 09:12
Subject:Return From Balticon!!!
Security:Public

So, Balticon was a blast, of course. I went mostly for a release party for The Modern Fae's Guide to Surviving Humanity with contributor Jean Marie Ward, and that happened Saturday night. Except for the craziness of setting up in the 5 minutes allotted, then doing the release in just 1 hour, and then cleaning up (which the people before us did NOT do) and getting packed up and out, the party was a huge success and great fun. The best surprise of all was that people actually showed up to buy the book, rather than just popping in for the free food and then leaving. We were swamped signing books for 45 minutes. I haven't done the official count, but we sold at least 15 books there, plus copies of our other books as well.

In any case, the other reason this con was special was because both of my brothers were there. Jason and Jacob (yes, we're all J's) came up or down from where they live and we shared a room and everything. It's the first time we've ever done anything with just us 3 (without parents, without other relatives, without significant others or kids, etc). Jason was there to network, since he writes science fiction. We thought Jacob had come in order to disappear into the game room for the weekend, but he actually never went to the game room (as far as I know) and hung out with either me or Jason, or went off to panels on his own. The brotherly bonding was good.

And of course, there was the JABberwocky agency bonding going on as well. I spent a good portion of the time (when not going to panels and such) hanging with Myke Cole (a guest blog will appear shortly), Jon Sprunk (a guest post from him as well), John Hemry/Jack Campbell (I haven't asked him yet for a guest blog), Peter V. Brett (same), and, of course, my agent Joshua Bilmes. We're all part of JABberwocky and had a spectacular dinner at Barrett's one night.

So, a great con. I don't feel like I ever stopped moving while I was there and it all happened rather fast, but it was great seeing old friends (although some only for a moment). The "Fantasy Title Chain" panel was a blast; I'll report back on some of the titles we ended up with later. I never got to participate in the "Liar's Panel" which was a disappointment. I had some pretty good lies made up for that. But overall, a great con.



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Date:2012-05-23 14:15
Subject:Book Review: "Silence" by Michelle Sagara
Security:Public

Silence is Michelle Sagara's first book in the new Queen of the Dead urban fantasy series. As most of you know, I'm not a huge fan of urban fantasy, but I love Michelle's other fantasy books, so I decided to give this one a try.





The main story revolves around Emma, who lost her father a while ago, and has recently lost her boyfriend in an accident. Grief-stricken, she's taken to visiting the graveyard at night to relax. However, on this night, she's not alone. Erik, a new student at her school, is there, and he's hunting Necromancers--people who can use the power of the dead to essentially perform magic. the only problem is that Emma is beginning to show signs that she could be a Necromancer herself.

The book continues with Emma coming into her power, Erik constantly on edge waiting for her to become what he fears the most, all while they try to help a four-year-old boy escape an eternity trapped in the house fire that killed him. And, oh yeah, the real Necromancers show up to try to bring Emma to their side.

The book has the standard urban fantasy feel--a darker atmosphere, some harsh realities about life and death, etc. The only paranormal touch is the existence of the dead and how they are used and how they interact with the world. There is no hint of other creatures, such as vampires, werewolves, etc. Because of the ages of the characters, this also has a significant YA feel to it. I thought Emma, Erik, and there rest of their friends were especially well drawn out and their interactions with each other were realistic and believable. I especially liked Michael's character--an autistic friend who ends up being more significant than most of Emma's other friends.

I did have some issues: There was a strong case of "we aren't going to tell you" here, meaning that Emma is trying to figure out her new world as it changes, Erik (and others) have answers, but they refuse to tell her for no real or apparent reason whatsoever. I find this annoying--just TELL ME ALREADY!--especially when one of the characters literally says that what Emma doesn't know can kill her . . . so why not tell her and forewarn her! I so no reason they couldn't, except it meant that there would be no "mystery" about her power any more and that might cut the dramatic tension.

Another issue was that I'm still not quite certain exactly how Emma's power works in the end. I read the scenes where she's figuring things out a couple of times and I still don't understand what it is that she's doing. The Necromancers power is kind of obvious, and Emma is not doing what they're doing, but I don't see the "rules" that Emma is operating under and how it all ties together. Granted, she's new at this and those rules probably aren't clear to anyone, but I should still get a "feel" for those rules, moreso than I got here. I assume that what she has become will be made clearer in future books.

So, overall, I thought it was a good entry into the urban fantasy field, but I have to say the "just tell me already" aspects of the story were a significant drawback, more frustrating than mysterious for me. I'll be reading the sequels when they arrive, but I much prefer (not surprisingly) Michelle's epic fantasy.

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Date:2012-05-22 09:38
Subject:Balticon Schedule!!!
Security:Public

I'll be attending Balticon this coming Memorial Day weekend and I have what I think is my schedule. This comes from scanning through the schedule posted online, so I may have missed something. But this is what I saw. If anyone catches something I missed, let me know. I'll be there Friday-Sunday (not there on Monday), so catch me if you can. There will be a release party for The Modern Fae's Guide to Surviving Humanity on Saturday night starting at 7pm for an hour featuring me and Jean Marie Ward, one of the contributors to the anthology. Swing by and say hi! We'll have copies of the book (and our other books) there for sale as well. The book launch will be in Parlor 1041.

Friday:

7pm: Fantasy Title Chain: Panelists and members of the audience come up with plot synopses for book titles provided by the audience! Should be uproarious fun.

Saturday:

10am: Editors Roundtable: Editors talk about working with authors and publishers and creating those books and anthologies you see there on the shelf.

3pm: A Literary World Without Borders: Panelists talk about how the publishing world is changing with the death of brick and mortar bookstores and the shift toward electonic books.

4:30pm: Sequels and Prequels: Writers talk about the different aspects of writing sequels and prequels.

6pm: When Does that Alien or Mage Become a God or Demon?: Panelists talk about the fine line between when characters with magical powers or significant differences become that world's gods and demons.

7pm: PARTY!!!!!: Book launch for The Modern Fae's Guide to Surviving Humanity with editor (me) and contributor Jean Marie Ward.

Sunday:

Noon: Liars' Panel: Panelists respond to 10 questions, lying for 3 of the 10. Audience members must wager on whether the panelists are lying or not. This is fundraiser panel, so audience members should bring lots of $1 bills in order to bet on when the author is lying or not. All cash goes into a booty for the charity. I'm actually an alternate panelist on this one, so may not be participating if everyone else shows up.



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Date:2012-05-21 15:35
Subject:Win a Free Book!
Security:Public

Irene Radford is giving away a free copy of her newest book Chicory Up over at the DAW Books blog ([info]dawbooks)! Just swing on by and leave a comment if you have a US mailing address and you're entered! If you can answer her question posed in the comments, you can also win a free copy of the first book, Thistle Down. Check it out, and good luck!



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Date:2012-05-21 09:33
Subject:New Book Discussion!
Security:Public

The next book discussion is up on the DAW Books blog ([info]dawbooks)! We're talking about Irene Radford's Chicory Up, the second book in her Pixie Chronicles series. Swing on by to check it out!



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Date:2012-05-20 19:24
Subject:Book Review: "Wind Through the Keyhole" by Stephen King
Security:Public

Ooo, cool, another Dark Tower novel. I can't say I loved ALL of the Dark Tower series (the first couple of books were a little rough . . . but then the first book was really a bunch of short stories pieced together), but King certainly got it together for pretty much the rest of it, whether you liked or hated the ending of volume seven. So hearing there was another story set in that universe was great. And this novel (really two novelettes nested together) will certainly help feed that craving that Dark Tower fans now have for MORE.

The basic idea is that Roland and crew get trapped by a storm called a starkblast and the storm reminds Roland of a story his mother told him when he was young, as well as one of his first "jobs" as gunslinger. To pass the time, he tells his ka-tet both stories, starting with his own story, which segues into his younger self telling the OTHER story to a young boy. Both stories involve storms, young boys learning to be men, and skin-men, tying them neatly together.

The most significant story--meaning the one with the most meat--is the story Roland's mother told him when he was young, called The Wind Through the Keyhole. It's about Tim, his mother, and his stepfather, and while it has the feel of a fairy tale in some parts, as you read it that facade falls away and you end up living Tim's story with him. It has all the hallmarks of a Dark Tower story--a slightly skewed "old style" setting mixed in with hints of a technological world that has somehow gone awry and faded into the past. I really loved this story, and it's certainly the heart of the book.

The story that bookends this one--with young Roland on one of his first missions--is also excellent, although as I said, it doesn't have as much meat to it as the other. Not because it wasn't developed enough, but because it's just a simpler story. Young Roland is sent to resolve the rumors of a skin-man threatening a small town. This section of the book has the most Western feel to it, dry like desert, hot, with ranches, a mine, and the makings of a ghost town as the setting. And yet there are still hints of that lost technological world.

The final bookend--of Roland and crew weathering a storm--doesn't have its own internal story and is there simply to place what's here into the larger Dark Tower series. As stated in the intro to the novel, this could be considered Dark Tower 4.5 in the series/timeline.

So, definitely a great Stephen King novel, full of everything fans expect of King AND of the Dark Tower series. It was great to return to this world and these characters, and I hope that King does future stories in this world as they pop up. No one ever really wants to leave a series behind, and it was nice to sit back and revisit old friends.

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Date:2012-05-18 13:25
Subject:Book Discussion!
Security:Public

We're talking about Celia Jerome's newest Willow Tate novel Life Guards in the Hamptons over at the DAW Books blog ([info]dawbooks)! Swing on by and check it out!



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Date:2012-05-16 09:54
Subject:New Book Discussion!
Security:Public

I've just posted the book discussion for Michelle Sagara's new book Silence, the first book in The Queen of the Dead series, over at the DAW Books blog ([info]dawbooks). Anyone here read it yet? It certainly looks significantly different from Michelle's other books. If you haven't heard of it, swing on by and check it out!



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Date:2012-05-15 13:14
Subject:Book Review: "Mockingjay" by Suzanne Collins
Security:Public

I loved the first book The Hunger Games, although I wanted it to go a little further and thus NOT be a young adult book when it came to the actual Games. I absolutely LOVED the second book, Catching Fire. I had no issues with that book whatsoever. So I naturally moved on to this third book without hesitation. I have to say I was disappointed.

The premise, in case you're one of the few out there who isn't in the know, is that Katniss won the Hunger Games in the first book by essentially snubbing her nose at the rules and the Capitol, forcing their hand. This act became a sign of the rebellion already stirring in this nation of Panem, and Katniss herself became am unwilling and unwitting symbol of that rebellion. In the second book, President Snow attempted to get Katniss to quell the rebellion, and when that didn't work, attempted to kill her by sending her back to the Games. But the rebels rescued her from the Games and now the rebellion is in full swing. In Mockingjay, Katniss has to deal with the her new status as the Mockingjay, symbol of the rebellion, and that Peeta was NOT rescued along with her and is in the hands of Snow. How far must she go to help the rebellion in its aims in order to save Peeta? And what will the consequences be to herself, her family, and Gale?

I think my main disappointment with this third book is that, except for one moment at the very end of the book, Katniss herself is simply a witness to events that others initiate. The rebellion is, in essence, out of her hands and she is a piece being moved here and there in order to further the cause. Katniss herself makes almost no real decisions herself, and those that she does make gets her into further trouble with not only Snow, but Coin, the leader of the rebellion in District 13. I don't think Katniss should have been an integral part of the rebellion, in the respect that she should have been fighting on the front lines or anything. That's unrealistic. She IS a symbol, and is used as such. But she should have been stronger and voiced her opinion more, especially after what's happened to her up to this point. I wanted her to ACT, to do something more significant than what she does. And for a long while, it seemed that she would, once the rebels reached the Capitol itself. However, that plotline ended up simply rambling into nothing, a huge disappointment.

That said, her one significant act was tremendous and a game-changer. Even though it was obvious it was coming (at least to me), it still had a huge impact and made the book at least a satisfactory conclusion to Katniss' story.

I think that's the main problem with the third book--it attempted to focus on events that were outside of Katniss' story, when it should have remained exclusively about Katniss, her family, Peeta, and Gale, with the greater rebellion happening off stage from this more personal story. Where the book isn't quite as good is when it's dealing with the rebellion and world as a whole, when the focus is OFF Katniss. If it had stayed more focused, and Katniss had been stronger and dealt with the personal storyline more directly, it would have been a better book.

Not that is was a bad book by any means. I have some critical things to say, yes, but it was still a good book, and definitely a series worthy of the attention that it's gotten up to this point. It would have been nearly impossible to live up to the greatness of Catching Fire (IMO) regardless. *grin*

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Date:2012-05-14 15:37
Subject:New Book Discussion!
Security:Public

I've been busy with ending the current semester, finals, packing my office because they're tearing down our building, and all that other life stuff, but I finally got to the last book discussion for April releases at the DAW Book blog ([info]dawbooks). It's for Edward Willett's Helix War, which is actually an omnibus edition of his two previous books Marseguro and Terra Inseguro. Swing on by the blog and take a look at this SF series!



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Date:2012-05-04 11:14
Subject:Book Review: "Catching Fire" by Suzanne Collins
Security:Public

The second book in The Hunger Games trilogy is better than the first, in my opinion. I have to admit that when I finished the first book and really, really wanted to read the sequel, I asked myself what Suzanne Collins could possibly do in the sequel. I literally thought, "The obvious thing to do is put Katniss back into the Games, but that would be just a rehash of the first book." Then I heard from someone who'd read the books that that's exactly what happens in book two. I was . . . disappointed, and so didn't get around to reading Catching Fire right away.

I should have had more faith. Yes, Katniss does end up back in the Games, but Suzanne Collins does it in such a way that it totally makes sense--in fact, it sort of HAS to happen this way--and it ISN'T just a rehash of Katniss' first Games. Not even close.

So, the premise is that Katniss and Peeta have won the Hunger Games and have returned home. But their little ploy with the berries has earned them the hatred of President Snow, because it has sparked rebellion in some of the Districts. Snow charges Katniss with the impossible task of convincing the rebels that she wasn't attempting to defy the Capitol with her ploy, merely save the "love of her life" Peeta.

Her attempts fail. In fact, she sparks even further rebellion. Katniss decides she must take her friends and family, including Peeta and Gale, and flee into the wilderness near her home. But before she can carry out her plan, everything in District 12--and everywhere else as well--escalates. Katniss is caught playing politics with President Snow, and the Games themselves become one of the tools used by both sides.

I like politics in my books, which is probably why I feel this book is so much stronger than the first book. (Although I raved about the first book as well.) I had some minor quibbles with the first book, but don't have anything to say bad about this book. It was spectacular. I got caught up in Katniss and her dilemma to the point where I set aside working on my own writing in order to finish the book. All of the emotional pain and actions of the characters here make total sense, and there is no point at which I thought anything was manipulated or "fake" in any way. This is exactly what would happen in such a situation, and Katniss' lack of control of the events because of her situation is perfect.

I would certainly recommend this series to everyone. I moved on to the third book, Mockingjay, immediately. No hesitation this time. I need to see how this story ends.

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Date:2012-05-04 10:45
Subject:The Review In Full
Security:Public

Here's Mike Douton's review of Well of Sorrows in full now that I have permission to post it. You can find his blog here.





Mike Douton:

I first became aware of Benjamin Tate from a guest blog post over on Jim Hines’ website. A couple weeks later, I saw him at one of the Boskone panels I was at. I made it a point to pick up books by the panelists when I was there but my copy of Well of Sorrows sat on my shelf for a little while. I never should have let it sit that long.

Let’s go with a back of the book kind of summary . . . In fact, I think I’m going to actually quote it today.


"Colin Harten and his parents had fled across the ocean to escape the Family wars in Andover and find a better life. But the New World proved no haven for the Hartens and their fellow refugees. Forced to undertake an expedition to the unexplored plains east of the newly settled coastal cities, the Hartens and their companions were not prepared for the dangers they would face.

Pursued by plains dwellers known as the dwarren, the Hartens’ wagon train fled to the very edge of a dark forest — a place they had been warned to avoid at all costs by a small band of Alvritshai warriors, the first race they had encountered on the plains.

Colin survived the perils of the forest, rescued by spirits of Light and transformed by the power of the Well of Sorrows, but he paid a very high price. For drinking the Lifeblood — the waters of the Well — changed Colin into something not entirely human… into someone who might prove the only defense against the dark spirits of the forest and the Wraiths they had created to destroy the humans, dwarren and Alvritshai alike."

I’ll admit, I’ve been . . . less than motivated with traditional fantasy for the last few years. I was saturated it when I was a kid reading all sorts of this stuff I ganked from my parents written in the 80s and 90s. It kinda became done for me a few years ago. I still poke at it now and again but other than GRRM, I actually had to go back and look at my list of Sixty-Four from last year to see what my last actual fantasy book was. (Sam Sykes, Scott Lynch and GRRM were the only ones last year) But the back of the book blerb here doesn’t make it sound too traditional right? Not overly, it came off as a paranormal-ish to me and there certainly was an important element of that in the book but holy crap I should have paid more attention to the Midwest Book Review quote underneath it where it says the words “strong thriller.”

Well of Sorrows is a fantasy thriller.

All the things that you normally associate with fantasy books are there but there’s this intense world building that makes the focus of the story turn into something more like a . . . well . . . a thriller. If you took Well of Sorrows and stripped the fantasy tropes out of it, the book would still stand up on its own. Dress it up differently and you could make the same story historical fiction or sci fi, hell you could dress it up as modern political thing. The meat and potatoes of Well has this universal story sort of feel going for it that I love. It’s the sort of thing that says to me “This character and plot are strong enough to carry this without any gimmicks, they’re not dependent on their setting.”

That’s not to say the setting is lacking at all. The world building in this is top tier stuff. I see so much potential is off hand mentions. The town Colin settles in on page one is Portstown. There’s very much an American Colonies kind of vibe to the Provinces but the homeland has a very Italian feel. Colin’s family is fleeing feuding among the Families who are fighting over something called the Rose which has religious-magical implications. Right off the bat, I liked that touch of familiarity mixed up with something else. The whole thing with the Rose and what’s going on with the mainland causes what goes on with the Provinces but never fully explained. This isn’t a negative since the Why’s aren’t the story of Wells. The Rose and the mainland are just the catalyst and would get too tangential, although it is a story I would like to know. There’s a whole history to this world going on here we’re not seeing and even though we’re not seeing it, it’s difference is felt and highly positive.

The dwarren and Alvritshai get similar treatment, although we see more of the Alvritshai. When these races first showed up on Colin’s trek into the plains it’s easy to go “yup, dwarves and elves.” They’re really not though. Tate took the same kind of “start off with something familiar and mix it up” tone with the races. You can’t call the Alvritshai elves even though they are tall, live long lives and don’t reproduce fast. The stock Tolkienesque races were modded up into their own fully formed creations and having read so much of those stock cultures, this was eminently satisfying.

The combat, when it does show up, is not the point of this book so don’t expect GRRM style brutality here. It gets the job done. Like I said, this is almost a political thriller racing to form alliances and create peace rather than grind their enemies into dirt. There are two Book Throwing Moments. It’s a term coined by my mom because she found a moment so intense in a book, she actually threw it across the room. I’d say about one in six, if that, has a Book Throwing Moment in it. I can count on one hand how many I’ve found this year so far. Well of Sorrows has two. Pages 212 and 471. If I’ve ever come across anything with two Book Throwing Moments in them, I can’t think of it, which means I probably haven’t because I would remember the hell out of that. My Shelf of Honor books, the small pile of my most favorite and revered books, don’t even all contain Book Throwing Moments.

Well of Sorrows has exceeded my expectations to the point where I officially dub this book Shelf of Honor worthy to sit next to the likes of Zelazny, China Mieville and Scott Lynch.

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Date:2012-05-04 09:45
Subject:Two New Reviews!
Security:Public

A couple of other reviews have popped up. A spectular one for Well of Sorrows and another for The Modern Fae's Guide to Surviving Humanity.

The first, for Well of Sorrows, is from Mike Douton, who really, really liked the book. In fact, he added it to his "Shelf of Honor" because it contains TWO "book throwing moments" in it (Mike's definition of a book throwing moment is a good thing, not a bad thing--as in, something happened in the book that "was so intense, you have to throw the book across the room"). You can check out his thoughts on the book here, although I've asked if I can copy the review here, so it may make an appearance in the near future.





The second new review is for The Modern Fae's Guide to Surviving Humanity and appears at the blog Fangfiction. Each story is reviewed, with a few pointed out as highlights. Stop by and check it out!



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Date:2012-05-04 08:56
Subject:New Book Discussion!
Security:Public

I've just posted the book discussion for Fiona Patton's The Shining City, the third book in her Warriors of Estavia series over at the DAW Books blog ([info]dawbooks). Stop on by and check it out! Leave a comment on this book or her previous books!



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Date:2012-05-02 11:37
Subject:MODERN FAE Reviews!
Security:Public

A couple of new reviews have popped up for The Modern Fae's Guide to Surviving Humanity. Check them out!

The first is from Night Owl Reviews, who give it 3 1/2 stars out of 5.

The second is from [info]janicu here on LiveJournal.

What I find interesting about the reviews for this anthology (as with the After Hours: Tales from the Ur-bar</a> anthology) is the fact that each reviewer seems to enjoy different stories. I take this as a compliment, since it means everyone should be able to find a couple of stories they really liked in the anthology when finished. Which was your favorite?



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Date:2012-05-01 13:36
Subject:New DAW Books!!!
Security:Public

Swing on by the DAW Books blog and check out the new books for May! Including new Michelle Sagara, Celia Jerome, and Irene Radford!



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Date:2012-04-27 14:34
Subject:Book Review: "The Grass King's Concubine" by Kari Sperring
Security:Public

I received an ARC of this book, which is why I can post about it before it's even been released. This book will hit the shelves on August 7th, 2012. You should preorder your copy today.

The Grass King's Concubine is Kari Sperring's second book and while it is NOT a sequel to her first, Living With Ghosts, it is set in the same world. However, this book is nothing like her first. It has some dark themes, but the overall atmosphere of The Grass King's Concubine is much lighter and the characters, in general, aren't as dark either.





The main premise is that there are two worlds--WorldAbove, which is where the main characters Aude and Jehan live, and WorldBelow, where the Grass King reigns. A human named Marcellan has inadvertantly traveled to WorldBelow and in the process--by introducing human ideas into a magical realm--has upset the balance of the world. The Grass King andh is Cadre are unaware of how dangerous Marcellan is until it's too late. Unfortunately, what's happening in WorldBelow is also affecting WorldAbove, causing a significant drought. Like her first novel, Kari Sperring appears obsessed with water. In Living With Ghosts there was too much water; here, there is too little. The two young lovers Aude and Jehan are separated and both end up in WorldBelow, where the Cadre is attempting to fix what Marcellan has broken. As they search for each other, they learn not only about WorldBelow, its troubles and rules and expectations, but also about themselves. And WorldBelow does not operate like WorldAbove. There are seas of moss, glass bones, rock trees, and creatures both beautiful and deadly.

Readers who like slower paced, character driven novels will love The Grass King's Concubine. It is, essentially, a mystery that slowly unfolds as Aude and Jehan explore WorldBelow in their search for each other. It has an old Europe flavor to the human culture (just like Living With Ghosts) which gives it great atmosphere and just a touch of a steampunk feel. The characters are interesting, the most captivating being the two ferrets from WorldBelow who can change into human form. And the world Sperring creates is interesting and engaging. Some readers will experience a little bit of confusion in the first part of the book until they realize that some of the chapters are actually set a significant amount of time in the past, rather than concurrent with Aude's and Jehan's chapters, but that confusion clears up as soon as Aude and Jehan reach the point where they are taken to WorldBelow.

Overall, The Grass King's Concubine is a great novel for those enjoy exploring a new world, in depth, at a slow pace, and with intriguing characters that capture the imagination.

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Date:2012-04-27 13:45
Subject:Book Review: "Shadow Ops: Control Point" by Myke Cole
Security:Public

Shadow Ops: Control Point is the first novel in a new series by new author Myke Cole. I can honestly say that I look forward to seeing where this series--and Myke Cole's career--goes after this. I'll certainly be buying the next book.





The main premise is that humans have manifested Latent magical talents. Some of these talents are considered acceptable by the government (hydromancy, terramancy, aeromancy, etc) and some are considered too dangerous. Those who manifest these latter talents and do not immediately report them to the authorities are considered hostile and are taken out. The main character, Britton, is on one of the human teams who targets and captures these rogue mages . . . or kills them--with the help of the SOC: Supernatural Operations Corps, which consists of mages with acceptable talents. Britton is having second thoughts about the acceptability of killing these "probes" (short for someone who manifests in one of the prohibited schools of magic) as the book opens, which is conflict enough. But then he manifests one of the prohibited magics himself: he's a portamancer, someone who can create portals to anywhere he's been, or anywhere he can fix solidly enough in his mind using pictures, scents, etc.

That's how the book kicks off, and as many reviewers before me have said, it pretty much rockets along from there. Britton is racing to save his own life as he's hunted down by the SOC. Along the way, he's wrestling with what he's been taught about magic and its dangers, and what he's experiencing and witnessing himself. He seesaws back and forth as to whether the SOC is right and these probes need to be dealt with harshly, or whether the probes have rights of their own and the SOC is trampling on those. That's the main conflict of the book, and we never really get a solid answer as to who is right, because Britton gets caught up in circumstances where it's obvious that how the SOC is handling the situation is appropriate, followed by another where it's obvious that they're not taking everything into consideration. Britton also learns the hard way that the SOC is right in one respect: his powers ARE dangerous and can be used effectively for good, or to commit great evil.

I think Peter V. Brett sums up the entire book in the best way: "Black Hawn Down meets The X-Men." I can't honestly think of a better summary than that (and I've tried). Myke Cole has experience in the military (to say it mildly), so you know most of the military aspects of the book are authentic. And some of the issues Myke addresses in the book should remind you of some of the same issues brought up in The X-Men. This is not The X-Men, though. Myke has created his own world with its own problems and this first book is just a taste of what is to come from him. The book isn't perfect--I thought the first part of the book was perhaps too fast-paced and a good section in the middle was perhaps too slow-paced--but this criticism is far outweighed by the fact that this book is different. I have not read anything like it in the past. It isn't really urban fantasy, although its setting is contemporary. It's not military SF, although there's a strong military aspect to it. And it's not fantasy, although there's a secondary world that provides the Source behind the magic being manifested in our world that has a fantasy flare to it. Shadow Ops: Control Point is all of these in one.

So, a unique book that I highly recommend everyone try.

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