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The last of the May DAW Books book discussions is up at the blog ( ![]()
Myke Cole is another author represented by my agent Joshua Bilmes. I met him first a couple of cons ago, just before his debut novel Shadow Ops: Control Point hit the shelves. I invited him to guest post and he agreed! So, first, an author bio and the cover of Shadow Ops: Control Point, followed by him talking a little about mixing SF with Fantasy and the genres and subgenres out there. So welcome Myke Cole and feel free to ask questions in the comments! ![]() You Put Science-Fiction in my Fantasy! Myke Cole I’ve done at least two posts in my career trying to sketch out the boundaries of what constitutes “Military Science Fiction” or “Military Fantasy.” I hem and haw and sweat and curse, and in the end am always forced to come to the conclusion that the real thing those sub-genres are useful for (and, frankly, the real thing that all sub-genres are useful for) is to help sales reps pitch books to buyers, help bookselling websites develop recommendation algorithms, and help bookstore staff know where to shelve the damn things. But surely the bigger categories of SCIENCE FICTION and FANTASY are important, right? I mean, they’re GENRES. There’s nothing SUB about them. If anything, they’re SUPER genres, rescuing defenseless speculative fiction manuscripts from the clutches of wicked (and snooty) literary villains. And they have hard parameters. Both science fiction and fantasy are types of speculative fiction. The difference is in what they speculate about. Science fiction speculates about technology (the possible: think spaceships, robots, lasers, cold-fusion). Fantasy speculates about magic (the impossible: think dragons, vampires, magic spells). That’s clear, right? Well, it was, I guess. Enter “Urban Fantasy,” a sub-genre that most folks take to mean literary porn written about vampires and werewolves (a la Stephanie Meyer’s Twilight books). The covers themselves have become a trope: A fetching woman suggestively posed, always with a gun or a sword in one hand, magic crackling in the other, always with a tramp stamp rising just above the belt-line. But calling urban fantasy “Vampire Porn” (and I’m guilty of this myself) is to do it an enormous disservice. Much of the sub-genre is excellent, with an audience response that bears that out (Charlaine Harris’ Sookie Stackhouse novels; Jim Butcher’s Dresden Files). And much of it contains absolutely no vampires at all, sparkly, or otherwise. This is because, at its heart, urban fantasy is trying to do something incredibly simple: Take the magic we know from classic fantasy tales from the likes of J.R.R. Tolkien, Terry Brooks or Fred Saberhagen, (which we’re used to seeing in a medieval setting) and layer it over the complications and idiosyncrasies of the modern world. How does a private detective pursue an evil wizard? What’s it like to fall in love with a vampire? These are interesting questions, the kind of cool what-ifs that genre fans have a hunger for. I know I do. That’s why I wrote the SHADOW OPS series. The what-if there is: How would the modern military deal with magic? It was fun to explore, and it still is (I’m writing the 3rd installment in the series as we speak). I hope readers agree. But people like labels. A lot of folks see a guy with a gun on the cover and jump right to calling it military science fiction. Seeing how the whole premise of the series is a unit of military sorcerers, that’s false on its face. Fine, military fantasy then. But that’s not quite right either, is it? Because SHADOW OPS takes place in the future. Technology has evolved too, partly to keep pace with the arcane developments blossoming around it. Helicopters have silent running modes that muffle their rotors. Infantry body armor is kitted out with rubber insulation and grounding wires to protect against lightning bolts. And when you consider the fact that science fiction is social as well, you realize that the entire modern social order has changed to keep pace with what magic has wrought in the world. Science fiction doesn’t always have to deal with massive leaps to huge spaceships or teleportation. A couple of the more recent, notable works in the genre are based on the effects of genetic engineering and global warming. It can be subtle. I like to think that SHADOW OPS does the same thing as well. Who knows? That’s for you to decide. Urban fantasy uses magic, to be sure, but because it takes place in a progressing modern world, the evolution of technology begins to push the genre towards the middle of the Venn diagram. China Mieveille’s Embassytown is an alien first contact story utterly pregnant with magic. Heck, anybody seen Star Wars lately? (The 3 most recent films don’t count) Those are just a couple of examples. I can’t tell you with certitude that SHADOW OPS is science fiction or fantasy, but I will say this: When Ace sent me the cover image for the book, I insisted on seeing the spine. I think that all authors should do this. The spine is the part of the book that most folks will see when they’re browsing shelves at stores (the few that remain), and you should know what it looks like. But I also wanted to see how Ace categorized it for store placement (and to entice readers). Would they market it as a fantasy novel? A military thriller? To my great delight, the spine read: ACE: FANTASY/SCIENCE FICTION. That made me smile. Because, honestly? I’m not sure we need the distinction anymore. 6 comments | post a comment
So, Balticon was a blast, of course. I went mostly for a release party for The Modern Fae's Guide to Surviving Humanity with contributor Jean Marie Ward, and that happened Saturday night. Except for the craziness of setting up in the 5 minutes allotted, then doing the release in just 1 hour, and then cleaning up (which the people before us did NOT do) and getting packed up and out, the party was a huge success and great fun. The best surprise of all was that people actually showed up to buy the book, rather than just popping in for the free food and then leaving. We were swamped signing books for 45 minutes. I haven't done the official count, but we sold at least 15 books there, plus copies of our other books as well. ![]()
Silence is Michelle Sagara's first book in the new Queen of the Dead urban fantasy series. As most of you know, I'm not a huge fan of urban fantasy, but I love Michelle's other fantasy books, so I decided to give this one a try. ![]() The main story revolves around Emma, who lost her father a while ago, and has recently lost her boyfriend in an accident. Grief-stricken, she's taken to visiting the graveyard at night to relax. However, on this night, she's not alone. Erik, a new student at her school, is there, and he's hunting Necromancers--people who can use the power of the dead to essentially perform magic. the only problem is that Emma is beginning to show signs that she could be a Necromancer herself. The book continues with Emma coming into her power, Erik constantly on edge waiting for her to become what he fears the most, all while they try to help a four-year-old boy escape an eternity trapped in the house fire that killed him. And, oh yeah, the real Necromancers show up to try to bring Emma to their side. The book has the standard urban fantasy feel--a darker atmosphere, some harsh realities about life and death, etc. The only paranormal touch is the existence of the dead and how they are used and how they interact with the world. There is no hint of other creatures, such as vampires, werewolves, etc. Because of the ages of the characters, this also has a significant YA feel to it. I thought Emma, Erik, and there rest of their friends were especially well drawn out and their interactions with each other were realistic and believable. I especially liked Michael's character--an autistic friend who ends up being more significant than most of Emma's other friends. I did have some issues: There was a strong case of "we aren't going to tell you" here, meaning that Emma is trying to figure out her new world as it changes, Erik (and others) have answers, but they refuse to tell her for no real or apparent reason whatsoever. I find this annoying--just TELL ME ALREADY!--especially when one of the characters literally says that what Emma doesn't know can kill her . . . so why not tell her and forewarn her! I so no reason they couldn't, except it meant that there would be no "mystery" about her power any more and that might cut the dramatic tension. Another issue was that I'm still not quite certain exactly how Emma's power works in the end. I read the scenes where she's figuring things out a couple of times and I still don't understand what it is that she's doing. The Necromancers power is kind of obvious, and Emma is not doing what they're doing, but I don't see the "rules" that Emma is operating under and how it all ties together. Granted, she's new at this and those rules probably aren't clear to anyone, but I should still get a "feel" for those rules, moreso than I got here. I assume that what she has become will be made clearer in future books. So, overall, I thought it was a good entry into the urban fantasy field, but I have to say the "just tell me already" aspects of the story were a significant drawback, more frustrating than mysterious for me. I'll be reading the sequels when they arrive, but I much prefer (not surprisingly) Michelle's epic fantasy. 1 comment | post a comment
I'll be attending Balticon this coming Memorial Day weekend and I have what I think is my schedule. This comes from scanning through the schedule posted online, so I may have missed something. But this is what I saw. If anyone catches something I missed, let me know. I'll be there Friday-Sunday (not there on Monday), so catch me if you can. There will be a release party for The Modern Fae's Guide to Surviving Humanity on Saturday night starting at 7pm for an hour featuring me and Jean Marie Ward, one of the contributors to the anthology. Swing by and say hi! We'll have copies of the book (and our other books) there for sale as well. The book launch will be in Parlor 1041. ![]()
Irene Radford is giving away a free copy of her newest book Chicory Up over at the DAW Books blog ( ![]()
The next book discussion is up on the DAW Books blog ( ![]()
Ooo, cool, another Dark Tower novel. I can't say I loved ALL of the Dark Tower series (the first couple of books were a little rough . . . but then the first book was really a bunch of short stories pieced together), but King certainly got it together for pretty much the rest of it, whether you liked or hated the ending of volume seven. So hearing there was another story set in that universe was great. And this novel (really two novelettes nested together) will certainly help feed that craving that Dark Tower fans now have for MORE.
We're talking about Celia Jerome's newest Willow Tate novel Life Guards in the Hamptons over at the DAW Books blog ( ![]()
I've just posted the book discussion for Michelle Sagara's new book Silence, the first book in The Queen of the Dead series, over at the DAW Books blog ( ![]()
I loved the first book The Hunger Games, although I wanted it to go a little further and thus NOT be a young adult book when it came to the actual Games. I absolutely LOVED the second book, Catching Fire. I had no issues with that book whatsoever. So I naturally moved on to this third book without hesitation. I have to say I was disappointed.
I've been busy with ending the current semester, finals, packing my office because they're tearing down our building, and all that other life stuff, but I finally got to the last book discussion for April releases at the DAW Book blog ( ![]()
The second book in The Hunger Games trilogy is better than the first, in my opinion. I have to admit that when I finished the first book and really, really wanted to read the sequel, I asked myself what Suzanne Collins could possibly do in the sequel. I literally thought, "The obvious thing to do is put Katniss back into the Games, but that would be just a rehash of the first book." Then I heard from someone who'd read the books that that's exactly what happens in book two. I was . . . disappointed, and so didn't get around to reading Catching Fire right away.
Here's Mike Douton's review of Well of Sorrows in full now that I have permission to post it. You can find his blog here. ![]() Mike Douton: I first became aware of Benjamin Tate from a guest blog post over on Jim Hines’ website. A couple weeks later, I saw him at one of the Boskone panels I was at. I made it a point to pick up books by the panelists when I was there but my copy of Well of Sorrows sat on my shelf for a little while. I never should have let it sit that long. Let’s go with a back of the book kind of summary . . . In fact, I think I’m going to actually quote it today. "Colin Harten and his parents had fled across the ocean to escape the Family wars in Andover and find a better life. But the New World proved no haven for the Hartens and their fellow refugees. Forced to undertake an expedition to the unexplored plains east of the newly settled coastal cities, the Hartens and their companions were not prepared for the dangers they would face. Pursued by plains dwellers known as the dwarren, the Hartens’ wagon train fled to the very edge of a dark forest — a place they had been warned to avoid at all costs by a small band of Alvritshai warriors, the first race they had encountered on the plains. Colin survived the perils of the forest, rescued by spirits of Light and transformed by the power of the Well of Sorrows, but he paid a very high price. For drinking the Lifeblood — the waters of the Well — changed Colin into something not entirely human… into someone who might prove the only defense against the dark spirits of the forest and the Wraiths they had created to destroy the humans, dwarren and Alvritshai alike." I’ll admit, I’ve been . . . less than motivated with traditional fantasy for the last few years. I was saturated it when I was a kid reading all sorts of this stuff I ganked from my parents written in the 80s and 90s. It kinda became done for me a few years ago. I still poke at it now and again but other than GRRM, I actually had to go back and look at my list of Sixty-Four from last year to see what my last actual fantasy book was. (Sam Sykes, Scott Lynch and GRRM were the only ones last year) But the back of the book blerb here doesn’t make it sound too traditional right? Not overly, it came off as a paranormal-ish to me and there certainly was an important element of that in the book but holy crap I should have paid more attention to the Midwest Book Review quote underneath it where it says the words “strong thriller.” Well of Sorrows is a fantasy thriller. All the things that you normally associate with fantasy books are there but there’s this intense world building that makes the focus of the story turn into something more like a . . . well . . . a thriller. If you took Well of Sorrows and stripped the fantasy tropes out of it, the book would still stand up on its own. Dress it up differently and you could make the same story historical fiction or sci fi, hell you could dress it up as modern political thing. The meat and potatoes of Well has this universal story sort of feel going for it that I love. It’s the sort of thing that says to me “This character and plot are strong enough to carry this without any gimmicks, they’re not dependent on their setting.” That’s not to say the setting is lacking at all. The world building in this is top tier stuff. I see so much potential is off hand mentions. The town Colin settles in on page one is Portstown. There’s very much an American Colonies kind of vibe to the Provinces but the homeland has a very Italian feel. Colin’s family is fleeing feuding among the Families who are fighting over something called the Rose which has religious-magical implications. Right off the bat, I liked that touch of familiarity mixed up with something else. The whole thing with the Rose and what’s going on with the mainland causes what goes on with the Provinces but never fully explained. This isn’t a negative since the Why’s aren’t the story of Wells. The Rose and the mainland are just the catalyst and would get too tangential, although it is a story I would like to know. There’s a whole history to this world going on here we’re not seeing and even though we’re not seeing it, it’s difference is felt and highly positive. The dwarren and Alvritshai get similar treatment, although we see more of the Alvritshai. When these races first showed up on Colin’s trek into the plains it’s easy to go “yup, dwarves and elves.” They’re really not though. Tate took the same kind of “start off with something familiar and mix it up” tone with the races. You can’t call the Alvritshai elves even though they are tall, live long lives and don’t reproduce fast. The stock Tolkienesque races were modded up into their own fully formed creations and having read so much of those stock cultures, this was eminently satisfying. The combat, when it does show up, is not the point of this book so don’t expect GRRM style brutality here. It gets the job done. Like I said, this is almost a political thriller racing to form alliances and create peace rather than grind their enemies into dirt. There are two Book Throwing Moments. It’s a term coined by my mom because she found a moment so intense in a book, she actually threw it across the room. I’d say about one in six, if that, has a Book Throwing Moment in it. I can count on one hand how many I’ve found this year so far. Well of Sorrows has two. Pages 212 and 471. If I’ve ever come across anything with two Book Throwing Moments in them, I can’t think of it, which means I probably haven’t because I would remember the hell out of that. My Shelf of Honor books, the small pile of my most favorite and revered books, don’t even all contain Book Throwing Moments. Well of Sorrows has exceeded my expectations to the point where I officially dub this book Shelf of Honor worthy to sit next to the likes of Zelazny, China Mieville and Scott Lynch. 1 comment | post a comment
A couple of other reviews have popped up. A spectular one for Well of Sorrows and another for The Modern Fae's Guide to Surviving Humanity. ![]() The second new review is for The Modern Fae's Guide to Surviving Humanity and appears at the blog Fangfiction. Each story is reviewed, with a few pointed out as highlights. Stop by and check it out! ![]()
I've just posted the book discussion for Fiona Patton's The Shining City, the third book in her Warriors of Estavia series over at the DAW Books blog ( ![]()
A couple of new reviews have popped up for The Modern Fae's Guide to Surviving Humanity. Check them out! ![]()
Swing on by the DAW Books blog and check out the new books for May! Including new Michelle Sagara, Celia Jerome, and Irene Radford! ![]()
I received an ARC of this book, which is why I can post about it before it's even been released. This book will hit the shelves on August 7th, 2012. You should preorder your copy today. ![]() The main premise is that there are two worlds--WorldAbove, which is where the main characters Aude and Jehan live, and WorldBelow, where the Grass King reigns. A human named Marcellan has inadvertantly traveled to WorldBelow and in the process--by introducing human ideas into a magical realm--has upset the balance of the world. The Grass King andh is Cadre are unaware of how dangerous Marcellan is until it's too late. Unfortunately, what's happening in WorldBelow is also affecting WorldAbove, causing a significant drought. Like her first novel, Kari Sperring appears obsessed with water. In Living With Ghosts there was too much water; here, there is too little. The two young lovers Aude and Jehan are separated and both end up in WorldBelow, where the Cadre is attempting to fix what Marcellan has broken. As they search for each other, they learn not only about WorldBelow, its troubles and rules and expectations, but also about themselves. And WorldBelow does not operate like WorldAbove. There are seas of moss, glass bones, rock trees, and creatures both beautiful and deadly. Readers who like slower paced, character driven novels will love The Grass King's Concubine. It is, essentially, a mystery that slowly unfolds as Aude and Jehan explore WorldBelow in their search for each other. It has an old Europe flavor to the human culture (just like Living With Ghosts) which gives it great atmosphere and just a touch of a steampunk feel. The characters are interesting, the most captivating being the two ferrets from WorldBelow who can change into human form. And the world Sperring creates is interesting and engaging. Some readers will experience a little bit of confusion in the first part of the book until they realize that some of the chapters are actually set a significant amount of time in the past, rather than concurrent with Aude's and Jehan's chapters, but that confusion clears up as soon as Aude and Jehan reach the point where they are taken to WorldBelow. Overall, The Grass King's Concubine is a great novel for those enjoy exploring a new world, in depth, at a slow pace, and with intriguing characters that capture the imagination. 4 comments | post a comment
Shadow Ops: Control Point is the first novel in a new series by new author Myke Cole. I can honestly say that I look forward to seeing where this series--and Myke Cole's career--goes after this. I'll certainly be buying the next book. ![]() The main premise is that humans have manifested Latent magical talents. Some of these talents are considered acceptable by the government (hydromancy, terramancy, aeromancy, etc) and some are considered too dangerous. Those who manifest these latter talents and do not immediately report them to the authorities are considered hostile and are taken out. The main character, Britton, is on one of the human teams who targets and captures these rogue mages . . . or kills them--with the help of the SOC: Supernatural Operations Corps, which consists of mages with acceptable talents. Britton is having second thoughts about the acceptability of killing these "probes" (short for someone who manifests in one of the prohibited schools of magic) as the book opens, which is conflict enough. But then he manifests one of the prohibited magics himself: he's a portamancer, someone who can create portals to anywhere he's been, or anywhere he can fix solidly enough in his mind using pictures, scents, etc. That's how the book kicks off, and as many reviewers before me have said, it pretty much rockets along from there. Britton is racing to save his own life as he's hunted down by the SOC. Along the way, he's wrestling with what he's been taught about magic and its dangers, and what he's experiencing and witnessing himself. He seesaws back and forth as to whether the SOC is right and these probes need to be dealt with harshly, or whether the probes have rights of their own and the SOC is trampling on those. That's the main conflict of the book, and we never really get a solid answer as to who is right, because Britton gets caught up in circumstances where it's obvious that how the SOC is handling the situation is appropriate, followed by another where it's obvious that they're not taking everything into consideration. Britton also learns the hard way that the SOC is right in one respect: his powers ARE dangerous and can be used effectively for good, or to commit great evil. I think Peter V. Brett sums up the entire book in the best way: "Black Hawn Down meets The X-Men." I can't honestly think of a better summary than that (and I've tried). Myke Cole has experience in the military (to say it mildly), so you know most of the military aspects of the book are authentic. And some of the issues Myke addresses in the book should remind you of some of the same issues brought up in The X-Men. This is not The X-Men, though. Myke has created his own world with its own problems and this first book is just a taste of what is to come from him. The book isn't perfect--I thought the first part of the book was perhaps too fast-paced and a good section in the middle was perhaps too slow-paced--but this criticism is far outweighed by the fact that this book is different. I have not read anything like it in the past. It isn't really urban fantasy, although its setting is contemporary. It's not military SF, although there's a strong military aspect to it. And it's not fantasy, although there's a secondary world that provides the Source behind the magic being manifested in our world that has a fantasy flare to it. Shadow Ops: Control Point is all of these in one. So, a unique book that I highly recommend everyone try. 1 comment | post a comment |
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